We started the session by finishing up the sound design. Our sound design features an additionally to the diegetic sounds and dialogue we recorded on the day, a diegetic techno beat which is muffled before he opens the door in order to make it seem as if the door is blocking the sound making the effect more realistic. Bert also added some stabbing sounds. We now had to find out how we wanted to score the end of our sequence. We tried multiple soundtracks for example a dramatic orchestral beat which would slowly become louder in through the entire scene and climax’s when the title card appears. We also found some single choir voices which we combined and tested if they would suit the scene. We ended up searching for some organ music like we planned. Bert and I found the same peace, Bach’s Toccata played on an organ, but we both agreed that the start of the peace would be to cliché. But while listing through the hole peace I found a moment which would fit perfectly for our project. I screen-recorded it and we added it to our project at the end. I changed the timing so approximately two seconds before we cut to the title card the music would quickly fade in, making the sequence smoother.
Pablo and I then came up with completely fake names and the timing for the credits. We had a list of different credits our sequence should included. I then tried to place the titles in a more creative and in the needed to find a way between practicability and aesthetic. Like we previously discussed I placed the first titles between James’s legs, Bert is going to work on the next titles in aftereffects as he wants to make it seem as if they were written on the street. In the church scene I looked at the framing and tried to find aesthetic way to incorporate the titles in the shot. In premier you can turn on a grid which will not only show you were the middle of each side of the frame is but also in which part of the frame you should place you credits. When timing the duration of each credit on screen it is helpful to adjust the duration to however long it takes you to read the credit three times.
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